The plight of Walter, a moderately intellectually disabled man, after the deaths of his parents.

Terry and June Medford are both middle aged and beginning to find the trials of life are more difficult as they try to succeed in their daily lives. The couple have just moved to Purley, south-east London... Aunt Lucy and the mynah bird had disappeared, as had the occasionally visiting daughters. Terry and June now mixed with a friendly next door neighbour, Beattie; Terry's chatty work colleague, Malcolm; and their gruff boss Sir Dennis Hodge. Otherwise, things were much as before, with Terry's pigheaded childishness causing no end of problems, usually thwarting June's attempts at leading a cosy life.

Walter and his 12-year-old son Henry are a pair of New York City street musicians living at poverty level in an empty Brooklyn lot. When Walter has a nervous breakdown, it's up to Henry to find his father's long-lost family, including the grandfather and aunt he's never met.

To inform each personally about her impending death, Mies summons her three daughters home. The three half-sisters April, May and June, each of whom has a different father, start to question their lives: "Where are we at in life? What do we still have in common? What will happen to our autistic brother Jan?"

June is a coming of age drama set in Aurangabad. Drawing from writer-producer Nikhil Mahajan's own childhood and of those known to him, June is a soaring portrait of two troubled people who help each other heal.

一个名为June的女孩，从16岁到26岁这十年间的人生故事。

A young woman, stressed by her busy and continually crowded New York City existence spontaneously retreats to a solitary lake deep in the Adirondacks.

A man with learning difficulties suffers neglect and ill-treatment, and this is only exasperated when his parents die and nobody seems to know what to do with him. A sequel to this film, titled "Walter and June", was released in 1983 and set 19 years later in time. In the United States, these two are sometimes bundled together under the title "Loving Walter".

A ticket-taker at the local cinema believes he is the son of God. He has agreed to decide the eternal fate of everyone he comes in to contact with.

ASP Walter IPS, who plays the titular role as a cop, gets the mandatory, yet routine hero introduction scene when a protest turns violent in Kumbakonam. Later, he takes up the case of a couple who seeks his help to find their newborn baby. Walter suspects foul play when he comes across similar cases, and sets out to investigate the crimes, accompanied by his subordinate Paneerselvam. Meanwhile, the ego clash between Eshwaramoorthi, a leading politician in the town, and Bala, who is considered to be his successor, intensifies. Their ego clash brings Balu's friend Arjun, who is linked to the kids who have gone missing, into the picture. How Walter faces several odds in his attempt to nab a criminal syndicate forms the rest of the story.